Furstenberg porcelain marks
From Wikimedia Commons, the free media repository. Deutsch: Porzellanmarken, auch Bodenmarken genannt, deutscher Hersteller und Manufakturen. Subcategories This category has the following 3 subcategories, out of 3 total.
Media in category "Porcelain marks of Germany" The following files are in this category, out of total. Aelteste Volkstedt Logo Aelteste Volkstedt Logo 2. Arzberg Bodenmarke s. Edelstein mark. Frankenthaler Porzellan Markentafel.
Porzellanfabrik Fraureuth Porzellanmarke Fraureuther Porzellan Gotha porcelain mark — Gotha porcelain mark Gotha porcelain mark. Hel - Museum of Coastal Defence - Collections Herstellermarke BVH Louisensruh. Herstellermarke M. Herstellermarke PG Louisensruh. Herstellermarke Selzers BH Louisensruh. Herstellermarke Ziegelstein Louisensruh. Herstellermarkemarke Louisensruh. Porzellanmanufaktur Firmenzeichen. Kaestner Marke. Marke Kaestner Saxonia. Porzellan Markenstempel Kaffeedose aus Keramik von Waechtersbacher Keramik Kanna med lock.
KPM plate with cathedral of Magedburg backside. KPM Porcelain Mark.
KPM sign from Krister Bodenmarke. Kuchenplatte mit Spritzdekor Logo be. Porzellanmanufaktur Ludwigsburg Logo. Mark and Label. Staatliche Porzellan-Manufaktur Meissen logo. Unterglasurmarke Nathusius-Porze. Orborne Art Studio backstamp.The descriptions detailed are only intended to be relevant to how the word or term relates to antiques and although the same word may have other meanings in other contexts, we have not and do not intend to detail those meanings here.
In some instances we have included pictures to enhance the meaning of the word or term and we have also indexed each word in order that you may link to the explanation when the word or term appears in other pages on the site.
Russian designer and manager of the faberge workshops that produced meticulously crafted objets de vertu and jewellery. Decorative steel studs cut with facets fashionable in the 18th and 19th centuries.
Used for buttons, belts, sword hilts and jewellery. The main production centres being Woodstock near oxford and Mathew boltons factory in Birmingham. The small flat surfaces ground onto cut gemstones. Often to enhance colour by sacrificing brilliance. Also —angular light reflective surfaces in bright cut engraving. Also — the name used for tin-glazed products from germany and Scandinavia. Delftware is the british version of faience ware and delft the dutch version.
Faience was first produced in france in the 16thC by italian craftsmen from the town of faenza in italy. Early designs emulated Chinese porcelain. Also — faience blanche produced and used in the 17th and 18th centuries and developed for everyday use.
Also — faience finethe French version of british creamware introduced init is usually lead glazed rather than tin-glazed. Cheaply produced porcelain animal or human figures made for sale or as prizes at fairgrounds form to Often comical in theme, with risque captions beneath.
Fairings made from in germany and Austria were produced in moulds and have solid bases. From to hollow imitations were mass produced. High quality lustre ware decorated with fairyland scenes by daisy makeig jones and registered by the wedgwood factory in The hinged lid on a desk bureau or secretaire that folds down to form a writing surface, often supported by pull-out lopers.
It is also know as a drop-front. A french term referring to families or palettes of enamel colour used on Chinese porcelain. Famille verte, introduced in the midthC is dominated by green and contains yellow, aubergine, black and blueit was largely replaced by famille rose around Famille noire is famille verte with the background filled in black and famille jaune has a yellow ground. Famille noire and juan are often painted onto an unglazed bisque body.
An accessory for women especially in 18thC Europe, used to generate a breeze and to communicate modesty, coyness or for discrete flirting.
The rigid fans of the ancient civilisations and renaissance Europe have a long handle topped by a leaf of parchment, fabric or feathers within a rigid frame. Folding fans originated in china and came to europe with the Portuguese in the 15thC. Ribs of bone or similar material are covered with a pleated semi-circular leaf of paper, silk or lace.No damage. I will be listing a bundle of items next and will be happy to combine postage from Newport.
All gilding and decoration is in brilliant condition. Excellent condition with no issues, chips or cracks or nibbles. Meissner porzellan - seine geschichte und. Spares or repairs - items requiring repairing or only good enough for stripping for spares. All orders placed before pm are posted the same day guaranteed. Customers are given the option of accepting a full refund in place of delivery.
I combine postage from Woodbridge for multi purchases see shipping information Terms of Sale Attractive Furstenberg Germany Porcelain Lidded porcelain coffee pot, sugar bowl, 4 small cups and one saucer signs of gold worn as per pic. Smoke and pet free home. Will transport locally East Grinstead up to 50 miles or so. Furstenberg an der tollstation bei kaub herbert. Vintage furstenberg porcelain lidded dish germany. Attractive Furstenberg Germany Porcelain O vintage furstenberg porzellan west germany 5 porcelain coasters set flowers.
Please leave positive feedback after receiving your items. Exceptions for all furniture items we will replace any parts that are damaged but the item may not be returned if you changed your mind.
Payment All payments must be submitted within 3 days after the end of the auction. Only Paypal payments are accepted. Items unpaid within 7 days of the auction end will be forfeited.It is the second oldest porcelain manufacturer in Germany that still operates on its original site. Fromthe operation was turned into a public limited company Aktiengesellschaft.
Its current managing director is Stephanie Saalfeld. Untilchina was produced in the castle itself, but now, manufacturing is carried out in the adjacent, modern buildings. Today, the castle houses the firm's museum and gives an overview of production from its beginnings during the rococo period to the present day.
From Wikipedia, the free encyclopedia. Proto-celadon 16th century BCE Celadon 1st century Yue 2nd century Ding 10th century Qingbai 12th century Jingdezhen 11th century on Blue and white 14th century on Blanc de Chine 14th century on Kraak 16th century Swatow 16th century Tianqi 17th century Kangxi 17th century Famille jaune, noire, rose, verte 17th century Canton 18th century.
Korean porcelain. Goryeo 10th century Joseon 14th century. Japanese porcelain Japanese export porcelain. List of companies French porcelain Chinese porcelain in European painting Armorial ware. Namespaces Article Talk. Views Read Edit View history.
Five steps, ranging from inspecting the exterior for distinctive markings to consulting a professional, can help you pinpoint the approximate age of your vase. Gently flip the vase over so you are looking directly at its bottom, and scan for distinctive signatures or logos. Such marks often include the name of the company that manufactured the vase, as well as the name of its designer or artist. This maker's mark may be painted on the vase's bottom or appear in the form of an engraving.
Because manufacturers varied the signatures to represent different years, you can research the corresponding year once you find a discernible manufacturer's mark. Once you find it, you can usually identify the maker's mark using an Internet search engine. A reverse image search -- in which you upload a picture of the mark and the results yield related images from around the web -- is helpful if you have trouble describing the mark.
Kovels and Antique Marks contain comprehensive listings of well-known maker's marks. You can also inquire at your local bookstore or order an antique marks glossary, such as Miller's Antique Marks.
The proliferation of reproductions -- and, unfortunately, counterfeits -- can create confusion when trying to approximate the age of a vase. However, you can look for several indicators to determine if your vase is an original. Since most truly old vases were created using wood-based kilns that lacked temperature controls, small imperfections were inevitable. Alternately, modern gas-based kilns rely on mass production using molds.
As a result, variations and imperfections are uncommon. Coarseness along the mold mark, crackling or bubbles in glass, asymmetry of shape and a strong luster or iridescence are a few telltale signs that your vase is the real deal instead of a reproduction or forgery. An overmark is precisely what it sounds like: a mark placed over the manufacturer's original mark.
To see if your vase bears one, you'll once again need to carefully turn it over and examine the bottom. Smudging of the original maker's mark is a common byproduct of the glazing process used to seal overmarks and, as such, hints at authenticity.
Since this technique was used on vases made from toyou can date your vase to this range if you find an overmark.
Antique Terms (F)
Because forgeries can be difficult for the untrained eye to distinguish, the most foolproof way to find out if your vase is a genuine antique is to take it to a qualified expert in the antiques field. To find an appraiser in your area, visit the Appraisers Association of America website and click on the "Find an Appraiser" tab to search by name, location or specialization.
You can also take your vase to a reputable antiques dealer, although seeking a certified appraiser's valuation ensures no conflict of interest exists -- an appraiser cannot offer to buy an item he or she appraised, unlike an antiques dealer. A native of Charleston, S.
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Prize-winning royal porcelain. When the Dowager Queen Juliane Marie founded the Royal Porcelain Factory inshe insisted that the three waves should be the factory's trademark. To this day, the waves are painted on the back of each piece of porcelain and comprise Royal Copenhagen's well-known signature of authenticity, a mark of fine craftsmanship and Danish porcelain art. The crown symbolises Royal Copenhagen's beginnings in the hands of the entrepreneurial monarchy. The crown was initially painted by hand, but by the 's, the company began to stamp the mark under the glaze.
The crown is decorated with the "Dagmar Cross", a jewelled crucifix dating from the Middle Ages that was discovered in Over the years, the crown has changed but it is possible to identify the year or decade in which each piece of porcelain was manufactured.
Below are some examples of the crown's evolution through time. It takes four years to learn the craft of painting on Royal Copenhagen porcelain. And although it may be difficult for a layperson to distinguish one Blue Fluted Plain design from another, accomplished painters always know their own work, as they know their own personal handwriting. Each painter had and still has their own stamp, marked on the bottom of every piece of porcelain.
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Unfortunately, we do not do valuations. However, our evaluation service in the museum in the castle can provide a non-binding guide value. You can obtain the names and addresses of sworn experts for art and antiques, household items and porcelain from your local Chamber of Industry and Commerce.
Porcelain identification is not always easy. Initial guidance is provided by our brand history overview and additional literature. For this purpose, our museum holds expert evaluations several times a year at a small cost in addition to admission to the museum.
For a non-binding identification, please bring hollow pieces such as coffee and teapots, creamers or sugar bowls, terrines or gravy boats from tableware sets because cups are only sometimes useful for such identification, and plates generally do not provide enough information for this purpose.How to Value Antique Dishes by Dr. Lori
Unfortunately, we are unable to provide valuations and we cannot respond to written enquiries. In addition to our Manufactory Store you can also purchase items directly from our online shop.
This contains our complete range of products. Prior tothe mark was made by hand, since then it has been stamped. The style and typography of the F have changed over the years which means that this can be used to specify the approximate date of manufacture of the porcelain. Pieces of porcelain with an ivory glaze or made of celadon compound developed at the end of the s bore a green rather than a blue F mark until the s.
The numbers are not part numbers or paint symbols, in fact they are decoy numbers. They designate the motif and the decoration technique used on the piece of porcelain.
What do they mean? In the 18th and 19th centuries, the turners and shapers marked larger pieces with their initials for example N for Nagel before they were fired. What does it mean? The size of pots or vases were marked in this way in the 18th and 19th centuries. On cups it stands for the model number.
No, unfortunately there is not. We will be delighted to provide you with information about our current collection. There are various swap and tableware exchanges which specialise in sourcing single pieces.
Some of these exchanges are available on the Internet. With a little luck, you may also find what you are looking for on Internet auction house websites.
Can you tell me how many of them were made? Unfortunately, we have no documentation about the quantities or motifs for these series.
Thomas Krueger pub. ISBN Graesse, E. Braunschweig,numerous editions. Cologne: dumont Porzellan und Keramik Report, Band 1: Europa no longer in print.
Stuttgart I want to find out more about the technique of porcelain production. Is specialist literature available on this subject? Published by Verband der Keramischen Industrie e.